No. 241 (2020): Reading, Writing, Listening

111 Days of COVID and Reading

Writer’s Writer Revisits Authorship Iteration in Anne Carson’s Decreation

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Jeff Derksen's Citational Poetics

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Se redéfinir dans la langue colonisatrice. Nouvelles voix autochtones francophones Chroniques de Kitchike de Picard-Sioui et Bréviaire du matricule 082 de Cousineau-Mollen

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“Tuned every ear towards a tiny lengthening of light” Listening for Weak Hope in John K. Samson’s Winter Wheat

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Alice Munro’s “Providence,” Second-Wave Feminism, and the (Im)possibilities of Reconciling Motherhood and Liberation

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A Note—Doing the Work with Metonymy Three Insights from Canadian Theatre

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The business of the grass

Precipitate of Abandoned Object-Cathexes

Grip

In a Bleak Time

Affirmation

St. Peter's Abbey, Muenster, Saskatchewan

Tumbling in spring

Ennui

Twisting Mean

Mimetic Histories

Don't Worry, Epidermis

Lessons in Style and Substance

Gaspereau in the Community

Traumatized Teens

Gifts for the Journey

Whose Canadian Avant-Garde?

These Words Singing

Gaspereau in the Wild

Goodbye to Language

Playful Experiments with Perspective

Attention Canadian Literature Professors

Degrees of Separation

Broken and Unbroken Lines

Of Care and the Self

Faulty Families and Towering Slums Two Stylists Get Crafty

Under Our Own Threat

Performing Unsettlement

Poem Emporium

Addressing Endurance Midgeley, Bowling, Lockhart

A Love Letter To Anne

Collecting the Unknown Montgomery

Sinews and Sheaves

Presence of the Past

The End of Popular Women's Writing

Precarious Places

Living Caves

"It Takes a Lifetime to Write a Poem"

Knowing Ourselves

Love on Looted Lands

"waist-deep in the criss-cross river of shadows"

A Multi-Generational Mixtape

History Lessons