“Tuned every ear towards a tiny lengthening of light”

Listening for Weak Hope in John K. Samson’s Winter Wheat

Authors

  • Bronwyn Malloy University of British Columbia

DOI:

https://doi.org/10.14288/cl.vi241.192427

Abstract

This article posits weak hope, which I characterize as a combination of resignation, optimism, and generative delusion, as a productive framework through which to listen to Winnipeg singer-songwriter John K. Samson’s 2016 album Winter Wheat. In turn, I suggest that engaging closely with Samson’s lyrics offers up a kind of weak, tenuous hope for the listener—though we may not know exactly “what survival means” (“Confessions of a Futon Revolutionist”), we can—in fact, we must—“recommit [ourselves] to the healing of the world” and “pursue a practice that will strengthen [our] heart[s] (“Postdoc Blues”). For the attentive listener, the very act of engaging with the weak hope audible in and enacted by Samson’s lyrics can form part of a practice that “strengthen[s our] heart[s],” by listening closely and imaginatively to the radical, unflinching empathy that Samson models in his precise, demanding song lyrics. 

Author Biography

Bronwyn Malloy, University of British Columbia

Bronwyn Malloy is a PhD Candidate at the University of British Columbia. Her research centres on contemporary song lyrics and poetry.

Downloads

Published

Nov. 12, 2020 (UTC)

How to Cite

Malloy, Bronwyn. “‘Tuned Every Ear towards a Tiny Lengthening of light’: Listening for Weak Hope in John K. Samson’s Winter Wheat”. Canadian Literature: A Quarterly of Criticism and Review, no. 241, Nov. 2020, pp. 77-93, doi:10.14288/cl.vi241.192427.