No. 232 (2017): Meanwhile, Home

Meanwhile, Home: Tinder-Dry Conditions

Supreme Fictions

On Refugees, Running, and the Politics of Writing: An Interview with Lawrence Hill

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Witness, Signature, and the Handmade in Rahat Kurd’s Cosmophilia

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Writing the Canadian Pacific Northwest: The Dynamics of Local and Global in Ruth Ozeki’s A Tale for the Time Being

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Kicking Up the Dust: Generic Spectrality in Hiromi Goto's Chorus of Mushrooms—An "Asian Canadian Prairie" Novel?

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"Coming Home" Through Music: Cree and Classical Music in Tomson Highway's Kiss of the Fur Queen

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Failed Futurity: Performing Abortion in Merrill Denison’s Marsh Hay

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New Poems

Poetry Submission

Swimming Lessons

Poems For and Seaside Town

Five poems from Robert Hilles

November Rain

(Up)rooting Generations

Hath Not a Jew

Life as a Feminist Academic

REALISM AS ESCAPE: MAKING THE FAMILIAR STRANGE

The House Is on Fire

What Has Been and What is Yet to Come

Energy Fabulations

Introverted and Extroverted Selves

Together in Exile

Rebel with a Cause

Remaking Poetry

Letters from Iceland

Of Time and Trouble

The Centre and Margins

Canadian Herstory

Three debuts and a prequel

Barwin and Bertin Make Good

Meditations on Mercy

The North American Popular Front

"All is made new"

Surrealist Statecraft

Canadian Editing, America Pressures

New Terms, Old Concerns

Of Apes and Automobiles

From Nowhere and Everywhere

Parallel Lives

(Un)binding Identities

Collaborations and Collisions in the Canadian Vortex

Time and Place

Irrepressible

Corps à corps avec les astres

Carol Shields and the political project

Marking Time

Eloquent Elegies

A Translation is Not Only a Thing of Words

In Still Water: The Poems of Elizabeth Ross, Barry Dempster, and Monty Reid

Three Poets, Many Voices

Fieldnotes: First Volumes

Whalley and Jones: No “ramshackle thinness” Within

Memory/Loss: Omnibus Review