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  3. No. 10 (2019)

No. 10 (2019)

					Afficher No. 10 (2019)
DOI: https://doi.org/10.14288/ujah.vi10
Publié-e: 2019-04-30

Contributors

  • Editorial Team

    • PDF (English)

Foreword

  • Letter from the Editor-in-Chief

    Hailey Mah
    • PDF (English)
  • Letter from the Managing Editor

    Grace Chang
    • PDF (English)

Essays

  • Breeding Colonial Photo-Literacy

    Yasmine Whaley-Kalaora
    10-19
    • PDF (English)
  • Ideology, Censorship, and Transgender Media (Mis)Representation

    Shai Ophelia Kehila
    20-33
    • PDF (English)
  • Portrait that Protests Sofonisba Anguissola’s The Chess Game of 1555

    Clara Huang
    34-41
    • PDF (English)
  • Mieko Shiomi Claiming the Self through Action and Object

    Connor Watson
    42-49
    • PDF (English)

Exhibition Reviews

  • Reclamation, Beauty, and the Palindrome in Dana Claxton: Fringing the Cube

    Lucas Beatch
    52-55
    • PDF (English)
  • Painting as Personal History Examining Critical Curatorial Practice in Marking the Infinite

    Yuko Fedrau
    56-59
    • PDF (English)
  • Environmental Memories Genevieve Robertson’s Carbon Drawings at Access Gallery

    Fiorela Argueta
    60-64
    • PDF (English)

Artist Profiles

  • The Outsider within the Image Tyler Homan and the Deconstruction of Bias

    Sarah Anderson
    72-77
    • PDF (English)
  • Gender, Branding, and Nationality in Bojana Bozin’s The Fraternity Assemblage for the Twenty-First Century

    Maxim Greer
    79-81
    • PDF (English)
  • Alien Evolution Chubing Liang

    Kristin Conrad
    82-85
    • PDF (English)
  • Towards Knowing the Unknown Noelle Celeste on Avatar Creation and Empathetic Digital Spaces

    Julia Wong
    86-89
    • PDF (English)

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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