No. 9 (2018)

View No. 9 (2018)

DOI: https://doi.org/10.14288/ujah.vi9

Published: 2018-04-30

Contributors

The Team
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Foreword

Letter from the Editor

Mary Buckland
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Essays

Neon and On Marianne Nicolson’s Oh, How I Long for Home through the Method of Walter Benjamin’s Arcades Project

Simranpreet Anand

10-17
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Epistemological Tensions Indigenous Cultural Production in the Age of Delgamuukw

Leo Cocar

18-25
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From the Street to the Stage Julian Eltinge, Vaudeville Female Impersonation, and the Emergence of a Queer Subculture

Maxim Greer

26-34
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Exhibition Reviews

A Death in the Life: The Technological Exploration of the Ending of Things Review of Endings by Tamara Saulwick

Ella Adkins

36-37
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Today, in the Seventies: Art, Activism, and Feminism in GLUT Review of Beginning in the Seventies: GLUT at the Morris and Helen Belkin Art Gallery

Fiorela Argueta

38-41
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Hybridity en Masse: Takashi Murakami at the Vancouver Art Gallery Review of The Octopus Eats Its Own Leg at the Vancouver Art Gallery

Mitra Kazemi

42-48
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Artist Profiles

Matthew Ballantyne Subversive Subjectivities: Intersecting Reference and Experience

Marcus Prasad

56-63
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Kelly Holmes Infinite Subjectivities // Finite Expressions

Nathan Clark

64-71
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Vestiges of Transnational Belonging Marking the Millennial Diasporic Identity in Ketty Zhang’s Works

Alexandra Trim

72-81
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Ran Zhou History in the Present Tense

Raina Cameron

82-89
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