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  3. No. 212 (2012): Canadian Literature

No. 212 (2012): Canadian Literature

					View No. 212 (2012): Canadian Literature
See table of contents here.
DOI: https://doi.org/10.14288/cl.v0i212
Published: Jul. 21, 2012 (UTC)

Full Issue

  • PDF

Editorials

  • Reading, Writing, Texting

    Margery Fee
    6-10
    • PDF

Articles

  • Body/Landscape/Art: Ekphrasis and the North in Jane Urquhart’s The Underpainter

    Richard Brock
    11-32
    • PDF
  • Pierre Berton, Celebrity, and the Economics of Authenticity

    Geoff Martin
    50-66
    • PDF
  • Colonial Contracts: Marriage, Rape, and Consent in Malcolm’s Katie

    Manina Jones
    68-84
    • PDF
  • “Who is the Lord of the World?”: Leonard Cohen’s Beautiful Losers and the Total Vision

    Medrie Purdham
    86-102
    • PDF
  • “Our symbiotic relationship with the stories that we tell”: An Interview with Michael Crummey

    Cynthia Sugars
    105-119
    • PDF

Opinions & Notes

  • Moths in the Iron Curtain, or Roaming in the USSR with Al Purdy and Ralph Gustafson

    Victor Pogostin
    197–202
    • PDF

Lost and Found

  • The "Thrill" of Not Belonging Edith Eaton (Sui Sin Far) and Flexible Citizenship

    Mary Chapman
    191–196
    • PDF

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Canadian Literature operates on the traditional, ancestral, and unceded territory of the hən̓q̓əmin̓əm̓-speaking xʷməθkʷəy̓əm (Musqueam) peoples.

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