No. 113-114 (1987): Literature & the Visual Arts

View No. 113-114 (1987): Literature & the Visual Arts

See table of contents here

DOI: https://doi.org/10.14288/cl.v0i113-114

Published: Jun. 2, 2016 (UTC)

Full Issue

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Editorials

Editorial: Triptych

W. H. New, Eva-Marie Kroller, Laurence (Laurie) Ricou

4-10
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Articles

The Automatist Movement of Montreal: Towards Non-Figuration in Painting, Dance, and Poetry

Ray Ellenwood

11-27
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L’insertion du verbal dans le discours visuel de Pellan

Fernande Saint-Martin

28-45
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Roy Kiyooka’s The Fontainebleau Dream Machine: A Reading

Eva-Marie Kroller

47-58
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Wheels on Fire: The Train of Thought in George Ryga’s The Ecstasy of Rita Joe

Gary A. Boire

62-74
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L’illustration de Maria Chapdelaine: Les lectures de Suzor-Coté et Clarence Gagnon

Silvie Bernier

76-90
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Les connivences implicites entre le text et l’image: Le cas Maria Chapdelaine

Gabrielle Gourdeau

93-107
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Emily Carr’s Tennyson

Janet Warner

114-126
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Fallacies about Art

Lawren Harris

128-143
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Photography “in camera”

Peter Sims

145-166
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Woman as Object, Women as Subjects, & the Consequences for Narrative: Hubert Aquin’s Neige noire and the impasse of post-modernism

Patricia Smart

168-178
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Notes Towards a Reconsideration of Paul Kane’s Art and Prose

I. S. MacLaren

179-205
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Opinions & Notes

Old Photographs and the Documentary Imperative

Don Gutteridge

253–258
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Grove’s “Stella”

K. P. Stich

258–262
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Kurelek’s Sudbury Diaries

Patricia Morley

262–268
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L’art pictural dans les derniers romans de Marie-Claire Blais

Marie Couillard

268–272
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Barker Fairley, 1887-1986

Gary Michael Dault

273–274
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