DI SOTTO, M. The Aesthetics of Trauma: Authenticity and Disorientation in Paul Greengrass’s "Bloody Sunday". Cinephile: The University of British Columbia’s Film Journal, [S. l.], v. 7, n. 2, p. 30–35, 2011. DOI: 10.14288/cinephile.v7i2.197980. Disponível em: https://ojs.library.ubc.ca/index.php/cinephile/article/view/197980. Acesso em: 20 may. 2024.