A Synthetic Rainforest

Listening to the Bloedel Conservatory

Authors

DOI:

https://doi.org/10.14288/bcs.no228.201395

Keywords:

greenhouses, simulation, virtuality, birdsong

Abstract

Synthetic Rainforest is a soundscape recording made within the Bloedel Conservatory, a tropical plant and bird sanctuary built in 1969 in Vancouver, on the unceded territories of the Coast Salish peoples. The recording captures a displaced and mediated temporality—an impossible dawn chorus in which bird species from disparate geographies and ecosystems sing together under the dome’s enclosure. This sonic event mirrors the architectural logic of the Conservatory itself: a microcosm of globalization, enclosure, and simulation. 

Author Biography

George Rahi, Simon Fraser University

George Rahi is an artist based in Vancouver on the unceded territories of the Coast Salish Peoples. His writing includes essays on geography, sound, and media culture. His artistic work spans installation, instrument making, performance, and projects for radio, theatre, and public space. His work has been recognized with awards such as the Canadian Music Centre’s Adaskin Prize, Lab30 Audience Award, Canada Council for the Arts Guest of Honour (Frankfurt), and the R. Murray Schafer Soundscape Award, and supported through residencies at Elektronmusikstudion (EMS), Toulouse Les Orgues, Bergen
Centre for Electronic Arts, and hcma Architecture.

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Published

17-03-2026

Issue

Section

Soundworks