Okanagan Summer Tourism Sounds

A Feminist Sonic Ethnography of Listening, Sound, and the Politics of Space

Authors

DOI:

https://doi.org/10.14288/bcs.no230.200416

Abstract

This podcast raises the broad question of why sound matters in tourism, understood as episodic or transitory relations of co-existence and as territories, worlds, and spaces co-inhabited yet often frictious. Created as an experimental audio documentary, it offers an in-depth story and analysis of a particular time—the summer months of 2022 and 2023—and place—BC’s Central Okanagan, a popular summer tourism destination for regional and local tourists and recreationalists. Using feminist ethnographic research methodologies, which included interviews with residents and tourists and audio recordings in/of tourism spaces oriented around Okanagan Lake, the voices of two racialized women are featured as an intervention against the dominant whiteness in tourism studies and to show the importance of listening positionalities for understanding how sound matters. Interspersed with the interlocutors’ words are montages of summer tourism sounds meant for listeners to engage with through reflexive listening. Summer Tourism Sounds is ultimately a multi-layered sonic story about racialized and gendered geographies in the Okanagan that disrupts the imagined whiteness of the region. It also provokes listeners to attune to the seasonal sounds of summer tourism to “hear” the social, cultural, and political-economic inequities of these intensified times of co-habitation and encounter.

Author Biographies

Susan Frohlick, UBC Okanagan

Susan Frohlick is a cultural anthropologist at the University of British Columbia Okanagan in the Department of Community, Culture, and Global Studies, and teaches in anthropology and gender, women, and sexuality studies. A co-director of Storying Otherwise: A Hub for Creative Ethnographic Writing, and editor of Tourist Studies journal, Frohlick’s current research interests include atmospheric and sound studies and experimental tourism ethnographies.

Nassim Zand Dizari, University of British Columbia, Okanagan

Nassim Zand Dizari is a PhD candidate at the University of British Columbia Okanagan. Her interdisciplinary research lies at the intersections of feminist ethnography, sonic anthropology, migration, memory, and public space, with a broader interest in the sensory and everyday dimensions of place-making. Her doctoral research explores how Iranian women living in exile shape relationships with the public spaces of Metro Vancouver through sound, listening, and everyday sonic practices.

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Additional Files

Published

19-08-2026

How to Cite

Frohlick, S., & Zand Dizari, N. (2026). Okanagan Summer Tourism Sounds: A Feminist Sonic Ethnography of Listening, Sound, and the Politics of Space. BC Studies: The British Columbian Quarterly, (230), 93–111. https://doi.org/10.14288/bcs.no230.200416

Issue

Section

Podcasts & New Media