| Las Muertas |
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Laura Elena Tinoco Moreno |
8-9 |
| No Penis, No Story: An Analysis of Gender Discrimination in Creative Writing and Literary Authorship |
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Heidi J Loos |
70-75 |
| History Grrrls: the Historiography of African Women |
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Gregory Williams |
10-14 |
| Ban of the Burqa in France |
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Nur Syahidah Binte Ismail |
15-27 |
| Narrative and Consent: A Story about Ewanchuk’s Story |
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Emma Elizabeth Fox |
28-39 |
| Thoroughly Mercenary: Ideology, Contagion and the Feminine Subject in Red Harvest and Farewell, My Lovely |
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Katie Fitzpatrick |
40-49 |
| Sub-Terrain: Tracing Paths of Transgression in Lawrence’s Women in Love |
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Anna Wärje |
50-54 |
| Fuzzy-edged Phenomena: (Dis)identity and desire in Stars in My Pocket Like Grains of Sand |
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Andy Holloway |
55-61 |
| Gender and Sexuality Performance by Captain Kirk, Spock, and the Women |
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Lu Zhao |
62-69 |